dave’s picks 17, selland arena, fresno, ca 7/19/1974

wall 2

this is a greatly anticipated release from the group. it has been a favorite of the collectors for quite some time, but for whatever reason has never made it on the dave’s or dick’s picks release choices. perhaps because it is partially flawed on a couple of levels. the first clue is the mixing issues on the opening song, ‘bertha’. all issues were cleared up about two thirds through the song, and by the time they got to the second song (mexicali blues), they had it right. this is a story of a show in the middle of the ‘wall of sound’ 1974 tour, when the band was at a creative peak but also struggling with the pressure of their fame.there was also the additional stress of managing the massive crew that was necessary to put together the immense structure of their cutting edge sound system.

wall of sound

the recording quality is solid. phil was probably the member most enamored with the ‘wall of sound’, and he is on top of his game here. he is simply on fire for the whole show. to a large degree the same could be said for keith. they are both up in the mix, and rightly so. the first set, other than the previously mentioned bertha, is fairly flawless. the ‘deal’, highlighted below, is a good taste of the overall feel.  an early ‘scarlet begonias’ has a garcia solo that is on another level. it ends with a long ‘playing in the band’ (maybe five minutes too long).

phil comes on with ned lagin in the intermission for an interesting ‘sea stones’.

wall phil

and then we head to the second set, where it really starts  to get special. it opens with a good batch of standards – ‘brown eyed women’, ‘me and my uncle’, jack straw’, and then eventually goes to another level heading into ‘weather report suite’. halfway through the latter, and while they segue into ‘spanish jam’, you will hear some of the more inspired dead improvisations. they are all admittedly jazz fans, and this showcases their trends towards that genre. one can hear chick corea laced jazz fusion elements, and bill’s drum work during this set is a keen example of why i have always believed he is one of the most underrated drummers, period. they string this over into’ eyes of the world’, and then bring it to a crashing halt for an exquisite’china doll’. the ballad is so stripped down that you can hear a beer bottle roll across the floor at the 3:30 mark. ‘one more saturday night’ ends the show.

good stuff. great show. not perfect, but then none of their shows are. it just goes with the territory with this band.

update: hat tip to boot for the heads up on the rolling beer bottle. please see the comments section below for his thoughts on this release, specifically the ‘spanish jam’ section.

 

 

 

2 comments

  1. I am very partial to 73/74 and the Wall of Sound. I had this tape back in senior year of high school and really liked it then but the quality was so-so, But the tape was labeled PHILFEST. Uh yeah, so true but never more so once you get a good soundboard…or Dave’s Pick! WOW. I had a poster of Phil with that Alembic bass in my room and marveled at what he was doing.

    The other thing my tape had, and this was true nearly every time got a tape with a Spanish Jam is that it was labeled as “Alhambra”. Having spent the summer between my sophomore and junior high school years in Spain, we visited the Alhambra so this little jam held a personal memory for me. (wish i had a copy back when i had toured the castle itself listening on my headphones.)

    the joy for the Dead for me was always understanding their influences. not only genre but artist specific. it wasn’t until later in college when I first listened to Miles Davis’ Sketches of Spain. I knew Miles was a big influence on the band. But i didn’t realize until I heard it that Spanish Jam was based upon Davis’ Solea from that album. I heard that familiar military drum beat and was like man i’ve heard that before…soon i realized where.

    There are a couple of other shows that have notable Spanish Jams (Providence 6-26-74 DP 12, and the Jai Alai Fonton on 6-23-74 Miami) but I like this version the best…and can always find something new to appreciate…whether it is Jerry’s soaring guitar work, the subtleness of Bobby’s rhythm guitar and the perfect timing of Bill’s military beat.

    oh, one more comment on this show…i think those last 40 minutes or so from WRS onward are some of the tightest and best jams from the WOS. (IMHO)

    Like

Leave a comment