new releases

the main purpose of this site – letting you know about albums i have discovered that need attention

catching up

hope all of you are still out there. i had taken a leave of absence from writing posts for my blog. i have no other reason other than ‘life gets in the way’. i have been listening to plenty of good new music lately, seen a few great shows, but also read a number of good books, and so i thought i would start with the latter, especially since the last one really got to me.

as most of my loyal readers know, i am a huge fan of john prine. i think one of the best pieces i ever wrote was around the time he succumbed to covid in the summer of 2020. that hit hard. i still remember putting on a playlist of his and made a few ‘handsome johnnys’ – his favorite cocktail, vodka and ginger ale – and sat on my back porch for quite awhile and tried to figure it out. never did. which brings me to my first book review. the rest are in no particular order.

‘living in the present with john prine’ – tom piazza

this book essentially chronicles the last few years of his life. after a chance meeting with the author, they seemed to hit off real well. sometimes you meet people like that where you know right away that this is a person i really connect well with, and the feeling seemed to be mutual. john started to reach out to him to spend some time together, including an early chapter that details one of their early bonding sessions where they take john’s newly acquired cherry red 1977 coupe de ville and hit the road to florida. there follow a number of more travel sessions and eventually, with wife fiona’s authorization, discussions start turning to writing a memoir. tom is also a musician (along with being a writer) from new orleans. interview sessions usually involved talking about john’s past while also playing various songs they both liked late into the night.

when people think of john prine they almost always are thinking about his musical legacy, and that is important and should be remembered. this book goes into that a bit, but more importantly it reveals the man behind the music. so if you are a prine fan, that is why you should read this. in the final chapter, after he has died, tom states that he could not listen to john for a whole year, and then once he did he states that it helped bring him back into the present. i don’t often quote the books i review, but let me just share his last paragraph:

‘listening to john, singing along with him or with each other, we can share time, see and hear the same thing, walk the same road for those minutes. we generate a current then, make a moment that transcends the moment, even if only briefly. so the words ‘the end’ don’t really seem to fit here. john’s spirit – everything that is just beyond the reach of words – remains. we are so lucky that, by hearing his voice or singing his songs, we can summon that spirit. living, while we can, in the present.’

i will drink a handsome johnny to that.

‘the name of this band is r.e.m.’ – peter james carlin

this is not an ‘authorized’ biography of the band, as none of the members participated in its writing, but it is well researched and treats them honestly and fairly. as usual it starts looking at their individual childhood experiences and follows them through until the band finally calls it quits in 2011.

i was a fairly early adopter of the band. ‘murmur’ was their first full length album, out in 1983, and even though it took awhile to get national airplay, i can tell you that it was very popular at the campus parties i went to at that time. i know i got hooked, and also sought out the earlier ep, ‘chronic town’. i had been absorbing all kinds of new music since leaving my small midwestern town and heading to college. but this band was different. not punk, and not pop, but a curious mixture of authentic passion and energy. that fact that you couldn’t understand the lyrics, especially in the early years, just added to the alure.

as is my wont, when i get into something i tend to go down rabbit holes, and this was no exception. as i was going through the part of the book where they were recording and touring on the aforementioned albums, i found myself dusting them off and listening all the way through. obviously there were a few cuts that made their way to greatest hits albums and my playlists, but to actually sit down and attentively listen cover to cover was something i likely had not done in nearly forty years. it all came back to me very quickly.

i then started listening to their next 5-6 albums all the way though as i would drive to and fro from work, until i got through ‘automatic for the people’, which is the last album of theirs i really dug my teeth into.

there is a chapter nearer to the end of the book that the author breaks down the overall fanbase to three categories. the first is what he refers to as the ‘murmerers’, people who got on board early and then dropped out not too far after when they got a little more popular and thought they sold out. the next group picked up slightly after that and rode their initial rise to some national recognition, and then the next group that grabbed on when they started having number one hits and albums and also generated an international following.

i might be a hybrid of the first two groups, as i was there at the beginning, kept up with them for a few years, and then slowly moved on at some point, for no good reason i can remember.

so if you are an r.e.m. fan, this might be a good read for you. but at the very least pull out ‘murmur’ and sit down so you can listen all they way through, maybe with a little volume.

‘dylan goes electric’ elijah wald

supposedly the book the recent movie ‘a complete unknown’ was based on. a very thorough accounting of the people and events that lead up to one of the defining moments in rock history – the evening at the 1965 newport folk festival when bob dylan brought out his band with electrical instruments and stunned the audience. even though i have read a number of accountings of the affair over the years in various books, nothing compares to this. in fact, i think you have to be a pretty big fan of both bob and the folk scene of the early sixties to really appreciate this book. i say that because it gets pretty granular as it builds for over 300 pages before it gets to the final scene. i learned a lot, but i found myself speed reading a few times to keep going. maybe go see the movie first (if you haven’t already).

‘heartbreaker’ – mike campbell

an autobiography by tom petty’s lead guitarist. mike was there from the beginning to the end, and was really petty’s most reliable friend for nearly all of his life. this is a remarkable story and if i would recommend one book off this list to start with, this would be it. a hardscrabble beginning to his life, and then a long period of time of playing in various bands around the florida and georgia area before they finally started to make it big after they moved everything out west to california. mike was a big part of the songwriting over the years. so if you are a fan of petty (and really, who isn’t), like guitars, and tales from life on the rock and roll road, this is a great read. his relationship with dylan and harrison was pretty profound.

he is a good writer and is honest with himself. accordingly, he spends a good deal of time on his personal life, including his marriage to his wife of fifty years. he seems like a pretty good dude.

i am not doing it justice. add it to your library.

‘richard manuel: his life in music, from the hawks and bob dylan to the band’- stephen t. lewis

richard was a seminal member of the band, one of the most important bands in rock and roll history. this is a very deep, loving, and honest portrayal of the man. his keyboard playing was obviously very important, but he is mainly known for some of the most soulful singing ever. the band had a unique vocal blend, of which you could argue he was the foundation. this book takes us through his childhood in canada and his early high school bands, to joining ronnie hawkins and the hawks, then being asked to join dylan’s early electric band with the rest of the hawks. after dylan invited the hawks to join him in woodstock after that tour, they eventually got around to forming their own band (‘the band’), and the rest was rock and roll history.

the latter third of the book covers the highs and lows of the band’s career, and the divisive forces that eventually drove them apart. i already knew most of this story, but the author did a lot of research on all of his life and i did learn quite a bit. i am a sponge for anything i can learn about this band, and this is a welcome addition to my catalogue.

a truly talented and remarkable individual, who unfortunately did struggle with insecurities and doubt that eventually did him in. he left us too early.

‘drums and demons – the tragic journey of jim gordon’ – joel selvin

if you are in a group of fairly knowledgeable music fans and ask the question ‘who are the best ten rock and roll drummers ever?’, i can be pretty certain that no one will say ‘ jim gordon’. but i would, and so would eric clapton. jim gordon became a staple studio drummer as a part of the ‘wrecking crew’ in southern california studios in the sixties, and would be on so many songs that you would know. among them being songs by the beach boys, the monkees, sonny and cher, the ronettes, the byrds, george harrison, john lennon, frank zappa, steely dan, merle haggard, and so many more that it defies belief when you read the partial summary of songs he has played on at the end of the book. he was eventually asked to join a few bands you may have heard of, like derek and the dominoes (he wrote the coda at the end of the title track ‘layla’). he was on joe cocker’s ‘mad dogs and englishmen’ tour. he basically was on nearly everything clapton did in the mid seventies.

he was not a flashy drummer, just one so technically competent and rock steady that he developed a reputation for being exactly where he was supposed to be on the down beat, all the time. as clapton has said of him (and ginger baker), he ‘had time’.

he had the rock and roll world in his hand – until he didn’t. the excesses of the industry and fame, along with his eventual descent into madness due to his progressive mental issues, caused him to spin out of control and eventually be shunned by nearly everyone. he went completely insane in the end and violently murdered his own mom. he spent the rest of his life in prison.

obviously a depressing end, but if you like you some rock and roll history, especially clapton at his low period and the crazy aforementioned mad dogs and englishmen tour, then you might want to pick this one up.

‘doc watson: a life in music’ – eddie huffman

if you are not familiar with doc watson, one of the greatest folk and bluegrass guitarists that ever lived, then first of all you should at least acquaint yourself with him (and his son merle) and his story. but this book is probably more intended for folks who are at least somewhat familiar and would like to do a deep dive into both his personal and artistic life – because both are remarkable. an incredibly well researched book, it takes you from beginning to end on his journey, which was both hard fought and also profound. there are many artists who are considered legendary in the world of folk and bluegrass, but no one was more influential than doc, in my opinion (and the author’s).

it gets pretty granular, so be prepared for that. but i am sometimes asked ‘if you could go back in time, who would you want to see live?’. i have a few doc issues in my library, including some with son merle. but after reading this and watching videos i found online, i am pretty sure i am adding him, in his prime, to that list.

‘my effin life’ – geddy lee

an autobiography from the bass player for the band rush. you are probably saying right about now ‘ wait, mr. redeyegin is a rush fan?’.

yes i am, or at least i was big time when i was in high school. it helped that i was a drummer, and neal peart, their drummer, was one of my heroes.

i stopped listening to them after i went to college, and so the middle part of the book describing making their later albums and world tours was probably the least interesting to me. but i found the rest really enjoyable, or at least very educational. geddy is a great storyteller and tells his tale in a self effacing manner. his descendants were survivors of the holocaust and emigrated to canada where they were able to provide him with a decent suburban life. but being jewish caused him to be rejected by many in his high school, and he sought refuge in music. obviously the next part detailed him meeting the other members of the band and then grinding their way to stardom.

the latter part of the book spends a fair amount of time on neal’s tragedy of losing his daughter in a car crash, and then his eventual struggle with brain cancer. but i found the whole thing to be an enjoyable read and i got through it pretty quickly.

‘loud and clear: the grateful dead’s wall of sound and the quest for audio perfection’ – brian anderson

a very thorough accounting of the history of the grateful dead’s dedication to the quality of the sound that was emanating from their pa system. the band does not get enough credit for the constantly innovative approach that they took – from the early reengineering of existing speakers and amps in the sixties to the eventual monstrous masterpiece, the ‘wall of sound’ in 1974. the band plowed much of their profits back into the development of these systems – and the stage crews and technicians that would be needed to put it all together – for all of their 30 year career. as the author makes clear, there may be no other band that did more to develop the technologies and concepts that revolutionized the live music industry and are still used to this day. it also added a stress level to individual shows when the shit didn’t work. he also chronicles – to an extent i have never seen before – as to how the magnificent ‘wall of sound’ was the cause of their downfall in late 1974, and led to the hiatus the band took till the summer of 1976. as a warning, this gets really technical at times, and i think you need to be a pretty hard core head to really appreciate it.

thanks for staying with me, and i promise there will be more soon.

norman’s rare guitars

last year was an interesting year for me, and not all of it necessarily good. probably the biggest time absorber was a long overdue house renovation, which took most of the year. plus a busy year at my day job and it all added up to squeezing out much of my leisure time, which includes my favorite hobby – music. it also took away my time and energy needed to keep up with my blog. but that is all behind me now and i hope to make up for it in 2025.

to help me with my writer’s block, i thought i would start off with an easy one – a documentary my brother steve turned me on to. ‘norman’s rare guitars’ is a very well done accounting of the store by that name in hollywood, and the tale of it’s founder – norman harris.

norm was a nominally successful musician in the late sixties who started a side job finding and then selling vintage guitars. after about a year or so it became his main gig, and word of mouth led to major musicians seeking him out to find guitars for them. his business exploded and his store is still in existence today and he probably has the largest collection of vintage guitars in the world.

this trailer will give you a taste of the magic of this place:

running time is over 90 minutes, so it is a bit of a commitment. but if you are into vintage versions of the premier instrument in rock and roll history, and the musicians who played them, you might find this interesting.

for marcus king fans, his in store spontaneous recording basically jump started his career:

next post will be a handful of releases i really sunk my teeth into last year but never got around to sharing with you.

and then a few books i felt that enlightened me to some more music history.

thank you for your patience, and we will see you soon.

the state of bluegrass today

i have been a fairly enthusiastic fan of the bluegrass genre for decades, and i have seen it go through ebbs and flows of overall popularity over the years. just when it seems that the interest seems stagnant, something comes along to introduce it to a new audience. examples include the newgrass revival band – which brought a more eclectic vision to the genre – to the jerry garcia led band old and in the way that introduced fans of the grateful dead to bluegrass. the movie ‘o brother where art thou’ had the same effect in 2000. the soundtrack for the film reached #35 on the billboard country charts that year.

i bring all this up because i have been seeing a similar phenomenon over the last year or so, and this time i believe it is because of a significant emergence of younger musicians embracing the tradition of the past, but then taking it to another level. i want to focus on three of them right now, but if you look around there are many more. it is quite refreshing.

molly tuttle

i have written about her before, but she is well worth revisiting. hailing from california, she broke on the scene in her early twenties and in 2017 became the first woman to win the international bluegrass music association’s guitarist of the year. she won again in 2018. her and her band golden highway have put out two great albums recently and have been touring hard for a number of years now, and the audiences and venues are definitely getting bigger.

sierra ferrel

sierra’s meteoric rise to fame has been much more dramatic – really just the last few years. brought up in west virginia, she escaped a rough life and made a name for herself busking in the streets. of the three here, her material is the most eclectic, mixing bluegrass with folk, gypsy jazz and others. this year’s release of ‘trail of flowers’ is a great example of this.

billy strings

again, i have written about him before, but i bring up him here because he is widely considered to be at the forefront of the youth movement i am referring to here. he just released his first live album, and it is pretty damn good. i have reviewed his studio albums in the past, but his live act is really what deserves attention. his excellent band can keep up with any acoustic bluegrass outfit in the country, but they can also add some electricity to their instruments and add a significant rock element to their shows. some purists might not like that, but i do. to each his own.

all three are interested in studying the past and doing their own interpretations for the future. all write their own material but also do interesting covers. all have great bands and tour relentlessly. i have seen all three at least once, and they are all worth getting out there to check them out.

mark knopfler, ‘one deep river’

it has been over five years since mark knopfler’s last record, and i think it is a great addition to his catalog. as he ages, each successive release gets a little mellower, but his songwriting and guitarwork are still very much there, and there is a nice variety of genres to keep things interesting.

the album and the title track both reference the river tyne, which bisects his childhood home of newcastle. the cover depicts the bridge that traverses the river, the same river he crossed in 1973 after he left his wife and his job to move to london to seek out his musical career. he recalls that moment on ‘watch me gone’.

many of the stories seem to be looking back in time, either true or fictional. ‘tunnel 13’ is a real life tale of a train robbery gone bad, and ‘sweeter than the rain’ seems to try to reconstruct a difficult encounter with a past partner.

he assembled a large batch of musicians who have played with him before and the sound is very comfortable and inspired. it was recorded in his british grove studio, one of the highest end studios in england.

as the spring weather is breaking, this is a good one to put on at the end of the day with your favorite beverage (or two).

off to new orleans later this week for jazzfest, and i hope to come back with some good discoveries.

a few more books (and a bonus documentary)

as i mentioned in my last post, this is the point of time in the year when i tend to hibernate in the redeyegin mancave and get into some books. so i am going to give a quick summary of a few i have finished since then, and then i hope to move back to my more traditional new music release reviews. i have a few on the shelf for you.

so here are four for your consideration, in the order i read them:

‘george harrison – the reluctant beatle’, philip norman

this is a new biography of george, released late last year, and it is the first one i have read of him. this is the author’s fourth book on the group, having already written an accounting of the group as a whole (‘shout’), and a biography of lennon and mccartney. i found it to be fair and informative, showing george’s strengths and weaknesses (a common theme you will find in all of these books). it also spends a decent amount of time focusing on george being the outsider in the creative structure of the beatle’s songwriting process (obviously dominated by lennon and mccartney), and how it was eventually one of the pivotal issues that led to the group’s demise.

and it gives a strong background on his life after the beatles, a span much longer and fulfilling for him than the time he spent in that band. of all of the members of that group, george’s first solo album - ‘all things must pass’ – was the most commercially successful and has withstood the test of time the best, in my opinion. you will also learn about his spiritualism and his charitable work, most notably the ‘concert for bangladesh’ and all the money it raised for the humanitarian crisis of the time.

it does not pull any punches on his personal life, specifically with his various wives. if you are familiar with the history of his marriage to patty boyd, and the entanglement that ensued with his best friend eric clapton (‘layla’ was partially based on the affair), then you will find the details here interesting.

all in all i learned a lot about the most misunderstood beatle, and have a greater appreciation for the man and his music.

‘scattershot’ – bernie taupin

of all these selections here, i think i can safely say i enjoyed this one the most. i think most people who might be reading this know of bernie, but if you do not, he is the less famous of the songwriting duo that wrote some of the more memorable songs of the seventies and eighties – elton john being the other half.

he is less famous for a number of reasons, not the least of which being that elton was an international superstar and sang and performed all the songs. bernie wrote all the lyrics and was usually in the studio when they recorded, and often travelled with the band on tour, but he was not out in the spotlight. the other main reason was that he was a fairly private person and did not seek that spotlight. that is why his autobiography was highly anticipated and does not disappoint.

you learn about his hardscrabble upbringing, how he met elton, and how they quickly bonded and toiled in the songwriting stables of london in the early sixties for years, until they finally hit it big with ‘your song’. you learn of their skyrocketing success of the seventies and all the excesses that were typical of rock bands at that time, and how their friendship was part of what kept it all together.

as with the harrison book, you also get a glimpse of his post elton life, be it the horse rancher, starting his own band and touring the states, and his success as a sculpture artist.

he is quite honest about his failings, but i get the impression of a person who tried to make the world a better place, and certainly a life well lived.

‘all the leaves are brown – how the mamas and the papas came together and fell apart’ – scott shea

the title pretty much tells it all, as this is a book about one of the more iconic groups of the late sixties and early seventies. how they all came from completely different backgrounds and somehow found their way into the musical vanguard of that turbulent era.

like most musical groups who eventually hit it big, theirs is a story of barely surviving for years until they caught on nationally with the huge hit – ‘california dreaming’. it is also a story about how greed and excesses can quickly consume whatever talent they did have. one day they are living out of their cars in los angeles, and in less than a year they are raking in tons of money and hobnobbing with the beatles and stones on their tour of england, and basically entering the upper atmosphere of rock cognoscenti.

and then the infighting over money, the drugs, and the affairs started quickly tearing the group apart. at least part of why it fell apart so quickly was that none of the members had much of a moral compass, some less than others. cass elliot, denny doherty, and john and michelle phillips all obviously had musical talent and drive. but none of them were able to stay sober enough to keep the fire going for very long. they really only put out a few albums, none as good as the first. when they started running out of money, a half hearted reunion was tried, but all of them eventually went their separate ways, with only marginal success (michelle actually became an actress and had a very good run with that the rest of her life – she is the only surviving member).

there is some great musical history here, which i always love to consume, especially the background of the famous monterey pop festival, of which john phillips was one of the main organizers and promoters.

but i looked forward to finishing it, as it became more and more depressing as it went on. i will say that the accounting in here of john phillips’ life (and that is the main focus – he was the leader of the group) is not pretty. he was a despicable human being, and it is well documented here. cass elliot to me comes off the best, and she was probably the most talented.

so this might not be the one i recommend, but maybe you love that group and want to learn more about them.

‘the magic years – scenes from a rock and roll life’ – jonathan taplin

this is an interesting biography of a man who seemed to be in the right place at the right time for most of his life. from his middle class upbringing in shaker heights, ohio to his days in east coast boarding schools and then princeton. there he would eventually become associated with bob dylan and al grossman as bob was about to embark on his transformative rock tour after the newport folk festival . he would help manage that, where he got introduced to robbie robertson. from there he went on to eventually manage the band and their tours for years. he would meet janis and jimi at the monterey pop festival, and basically be just about everywhere in the seventies, including being an integral part of the production of the band’s ‘last waltz’ concert and eventual film. there he met martin scorsese, which was a gateway for him into the movie producing field, and he toiled in that space moderately successfully for quite some time. it goes on and on. it moves quickly and was highly entertaining, especially early on. a child of the sixties, he is still infused with the culture it inspired, but i felt that he started to weave in his social commentaries more and more as the book wore on. as his life moved away from the music industry and more into high finance in his later years, the political commentary wore me down a bit. but it is his book and life, and i can roll with that. as with bernie taupin’s book, this was obviously a life well lived. oh the stories he can tell.

hat tip to my friend roger on this last book.

bonus:

while writing my rough drafts for this post, i took some time to take in the recent documentary on willie nelson. i found to be very well done and i learned a lot about the man. he is a national treasure.